$29.99
Audio Mixing Boot Camp
Hands-On Basic Training for Musicians
By Bobby Owsinski
Item: 00-37741
UPC: 038081422787
ISBN 10: 0739082396
ISBN 13: 9780739082393
PRICE: $29.99
Series: Boot Camp
Category: Pro Audio Textbook
Format: Book & DVD
If you're creating your first mix and don't know where to begin, or your mixes aren't as good as you'd like them to be, Audio Mixing Boot Camp is here to help. Built around a series of hands-on mixing exercises designed to show you how to listen and work like a pro, best-selling author Bobby Owsinski reveals the tips, tricks, and secrets to all the different facets of mixing, including instrument and vocal balance, panning, compression, EQ, reverb, delay, and making your mix as interesting as possible. You'll cut years off the time usually needed to become proficient in the art of mixing with this book, which is specifically designed to accelerate learning. See how the pros handle the critical balance between the bass and drums. Learn where, when, why, and how EQ should be used on virtually any instrument. Become proficient at using effects in just the right way for each particular mixing situation. And master the key to fat and punchy sounding mixes: compression. Audio Mixing Boot Camp also features an accompanying DVD-ROM filled with lessons, templates, and examples specifically developed to take your mixing chops to the next level.
TITLE COMPOSER
Listening in Mono
Compressor Controls
Exercise Pod -- Adding Reverb to the Background Vocals
How Long Should My Mix Take?
Phase Coherency
Balances
Exercise Pod -- Listening in Mono
CHAPTER 2: SESSION SETUP
Ratio
Threshold or Input
Attack and Release
Adding Reverb to Guitars
Exercise Pod -- Adding Reverb to the Guitar
Adding Reverb to Keyboards
Exercise Pod -- Adding Reverb to the Piano
How to Know When Your Mix Is Finished
Exercise Pod -- Am I Finished Yet?
CHAPTER 13: THE FINAL MIX
GLOSSARY
Prepping Your Mix
Gain, Make-Up Gain or Output
Exercise Pod -- Adding Reverb to the Organ
BIBLIOGRAPHY
Gain Reduction Meter
The Side Chain
Bypass or In
Compressor Operation
Exercise Pod -- Adding Reverb to Synthesizers
Adding Reverb to Strings
Exercise Pod -- Adding Reverb to the String Section
Adding Reverb to Horns
INDEX
Make a Session File Copy
Arrange Your Tracks
Delete Empty Tracks
Deactivate and Hide Unused Tracks
How Much Compression Do I Need?
Compression As an Effect
Limiting
Compressing the Various Instruments
Adding Reverb to Percussion
Exercise Pod -- Adding Reverb to Bongos and Congas
Exercise Pod -- Adding Reverb to Shakers and Triangles
Layering the Mix
Color-Code the Tracks
Correctly Label the Tracks
Insert Section Markers
Set Up Subgroups
Compressing the Drums
Exercise Pod -- Layering the Mix
Set Up Your Effects
Exercise Pod -- EQing the Electric Guitar
Equalizing the Acoustic Guitar
Exercise Pod -- EQing the Acoustic Guitar
Equalizing the Piano
Modulation on Vocals
Exercise Pod -- Modulation on Lead Vocal
Exercise Pod -- Modulation on Background Vocals
Modulation on Strings
Exercise Pod -- Balancing the Bass and Drums
The Vocals
Background Vocals
Exercise Pod -- Balancing the Lead and Background Vocals
Guitars
Exercise Pod -- EQing the Piano
Exercise Pod -- Modulation on Strings
Exercise Pod -- EQing the String Section
Equalizing Horns
Exercise Pod -- EQing Horns
Finding the Groove
Exercise Pod -- Finding the Groove
Establishing the Groove
Exercise Pod -- Visualize Your Mix
EQ Parameters
Modulation Basics
Equalizing Strings
Developing the Groove
Organ
Modulation on Other Instruments
Exercise Pod -- Modulation on Drums
CHAPTER 11: INTEREST
Exercise Pod -- Balancing Guitars
Keyboards
Piano
Electric Piano
Equalizing the Organ
Exercise Pod -- EQing the Organ
EQing Various Instruments
Equalizing the Drums
Exercise Pod -- EQing the Drums
Building the Mix
The Drums
Setting the Levels
Tremolo / Vibrato
Modulation Setup
Modulation on Instruments
Exercise Pod -- Balancing the Drums
Equalizing the Bass
Modulation on Guitars
The Bass
Equalizing the Electric Guitar
Exercise Pod -- Modulation on Keyboards
Checking the Drum Phase
Exercise Pod -- Checking the Drum Phase
Assigning the Drums to a Group or Subgroup
Exercise Pod -- Assigning the Drum Channels to a Subgroup
Exercise Pod -- EQing the Bass
Equalizing the Vocal
Exercise Pod -- EQing the Vocal
Exercise Pod -- EQing the Background Vocals
Exercise Pod -- Modulation on Guitars
Modulation on Keyboards
How Loud (or Soft) Should I Listen?
Exercise Pod -- Listening Levels
Listening on Several Speaker Systems
Exercise Pod -- Listening on Multiple Monitors
Adding Reverb to the Bass
Exercise Pod -- Adding Reverb to the Bass
Adding Reverb to the Vocal
Exercise Pod -- Adding Reverb to the Lead Vocal
Exercise Pod -- Panning the Lead Vocals
Exercise Pod -- Panning the Background Vocals
CHAPTER 6: COMPRESSION
Compression Basics
Mix-Bus Compressor Settings
Exercise Pod -- Setting Up the Mix-Bus Compressor
Stay Away from Hypercompression!
Exercise Pod -- The Evils of Hypercompression
Mixing by Muting
Automation
CHAPTER 5: PANNING
The Three Main Panning Areas
Exercise Pod -- EQing Bongos and Congas
Exercise Pod -- EQing Shakers and Triangle
CHAPTER 8: ADDING REVERB
Reverb Basics
Emphasizing the Most Important Element
Finding the Most Important Element
Exercise Pod -- Finding the Most Important Element
Emphasizing the Most Important Element
Exercise Pod -- Emphasizing the Most Important Element
Low Frequencies in the Center
Typical Reverb Parameters
Reorder Your Tracks
Setting the Compressor
Exercise Pod -- Adding Reverb to Horns
Assign the Channels
Insert Compressors and Limiters
Exercise Pod -- Prepping Your Mix
Prepping Yourself
Exercise Pod -- Compressing the Drums
Parallel Compression
Compressing the Bass
CHAPTER 9: ADDING DELAY
Delay Basics
Typical Delay Parameters
The Three-Reverb Full-Setup Method
Adding Reverb to Instruments
Adding Reverb to the Drum Kit
Exercise Pod -- Adding Reverb to the Drum Kit
Exercise Pod -- Speaker Placement
How to Listen
Basic Listening Technique
Exercise Pod -- What to Listen For
Exercise Pod -- Panning the Keyboards
Pseudo-Stereo
Exercise Pod -- Pseudo-Stereo Panning
Panning Vocals
The Peak Meter
Mix Bus Levels
Exercise Pod -- Setting the Mix-Bus Levels
Mix-Bus Compression
PREFACE
Welcome to the Audio Mixing Bootcamp
CHAPTER 1: MONITORING
Panning the Drums
Exercise Pod -- Panning the Drums
Panning the Bass
The Major Parameter Controls
Timing a Reverb to the Track
Timing the Decay
Making a Mix Element Interesting
Exercise Pod -- Making an Element Interesting
CHAPTER 12: THE MASTER MIX
The Listening Environment
Exercise Pod -- Panning the Bass
Exercise Pod -- Timing Reverb Decay
Mixing with Subgroups
The Musical Elements of an Arrangement
"Born This Way" by Lady Gaga
"Power" by Kanye West
"Grenade" by Bruno Mars
Types of Modulation
Flangers and Phasers
Chorus
Tremolo and Vibrato
A Description of the Audio Bands
Using the Equalizer
Subtractive Equalization
Juggling Frequencies
Exercise Pod -- Identifying Arrangement Elements
The Magic High-Pass Filter
Parameter Settings
Basic Monitor Setup
Panning Keyboards
The Two-Reverb Quick-Setup Method
The VU Meter
Exercise Pod -- Adding Delay to the Drum Kit
Adding Delay to Other Instruments
CHAPTER 10: MODULATION EFFECTS
The 6 Elements of a Mix
Exercise Pod -- The Elements of a Mix
CHAPTER 4: BALANCE
Visualize Your Mix
Exercise Pod -- Using a Gate
CHAPTER 7: USING THE EQ
Equalization Basics
The Three-Delay Full-Setup Method
Adding Delay to Instruments
Adding Delay to the Vocals
Exercise Pod -- Identifying Different Recording Techniques and Eras
What Are You Trying to Accomplish?
Developing the Groove
Compressing Vocals
Exercise Pod -- Compressing the Lead Vocal
Compressing Other Instruments
Exercise Pod -- Identifying the Groove
Compressing Loops
Exercise Pod -- Adding Delay to the Vocals
Emphasizing the Most Important Elements
Exercise Pod -- Identifying the Most Important Song Element
Putting the Performers in an Environment
Exercise Pod -- Identifying the Tall, Deep and Wide Dimensions
Adding Delay to the Guitar
Exercise Pod -- Adding Delay to the Guitar
Adding Delay to Keyboards
Exercise Pod -- Adding Delay to Keyboards
Exercise Pod -- Compressing Loops
De-essers
Exercise Pod -- Using The De-esser
Adding Delay to the Drum Kit
What Does an Amateur Mix Sound Like?
Gates
Take Notes
Make Yourself Comfortable
Exercise Pod -- Prepping Yourself
CHAPTER 3: MIXING BASICS
Compressing Guitars
Exercise Pod -- Compressing Electric Guitars
Exercise Pod -- Compressing the Acoustic Guitar
Compressing Keyboards
Timing the Delay to the Track
Other Note Divisions
Exercise Pod -- Timing the Delay
Delay Setup
The Single-Delay Quick-Setup Method
A Brief History
Exercise Pod -- Compressing Keyboards
Exercise Pod -- Balancing Loops
Equalizing Percussion
Exercise Pod -- Establishing the Groove
Synthesizers
Exercise Pod -- Balancing the Keyboards
Loops
Play Something You Know
Exercise Pod -- Compressing the Bass
The Haas Effect
Determining the Listening Position
Standing Waves
Acoustic Quick Fixes
Exercise Pod -- Improving the Listening Environment
Panning Guitars
Exercise Pod -- Panning Guitars
Stereo Instruments
Timing the Pre-Delay
Exercise Pod -- Timing Reverb Pre-Delay
Reverb Setup
Exercise Pod -- Mixing with Subgroups
The Master Level Meters
Types of Meters